MACEDONIAN WEDDING

“For unto us a director is born” raved the Greek press after Macedonian Wedding first screened in 1960. And rightly so, for this short documentary that anointed the 27-year-old Takis Kanellopoulos as Greek cinema’s new hope overnight is a visual poem of rare sensitivity. What starts as a documentation of joyous wedding rites in an eastern Macedonian village (Velventos in Kozani) is transmuted through the director’s gaze into an elegy on the parting of ways – as if Persephone is to descend into Hades – and the chthonic, paganistic bite of the natural world. The germ of Kanellopoulos’ later work is already apparent here: the low-key tone, the lyricism, the Macedonian landscape, the charge borne by what is borderline, and the female face that so captivated him. Macedonian Wedding won Best Short Film at the First Week of Greek Cinema, and First Prize at the Belgrade Film Festival (1961).