31 OCTOBER → 9 NOVEMBER 2025
5 MARCH → 15 MARCH 2026
17 JUNE → 21 JUNE 2025
FFGR
TRIBUTES / RETROSPECTIVES: Otar Iosseliani
France • 1983 • 55’• Beta • B&W
A portrait of the Basque country and people, seen not through their political problems but through an interpretation of their art and life. The film clearly shows the profound cultural autonomy of the region.
Otar Iosseliani, with only 9 feature films in a 40-year career in film, has created a hand-made, absolutely personal oeuvre (without the slightest concession to commercial demand) which, going beyond the bounds of national cinema, passes through History in pursuit of the vision of pure film. A great traveller of the inner adventure, he is one of the few remaining initiators who can depict in his images the ominous sounds of the new millennium.
1. MONDAY MORNING, Οtar Iosseliani,
(2002) 2. FALLING LEAVES, Οtar Iosseliani,
(1966) 3. LIVED ONCE A SONG-THRUSH, Οtar Iosseliani,
(1971) 4. PASTORAL, Οtar Iosseliani,
(1976) 5. AND THEN THERE WAS LIGHT, Οtar Iosseliani,
(1989) 6. CHASING BUTTERFLIES, Οtar Iosseliani,
(1992) 7. BRIGANDS (CHAPTER VII), Οtar Iosseliani,
(1996) 8. APRIL, Οtar Iosseliani,
(1962) 9. FOUNDRY, Οtar Iosseliani,
(1964) 10. BASQUE SUMMER, Οtar Iosseliani,
(1983) 11. A LITTLE MONASTERY IN TUSCANY, Οtar Iosseliani,
(1988) 12. GEORGIA, ALONE, Οtar Iosseliani, (1994)
13. OLD GEORGIAN SONGS, Οtar Iosseliani,
(1968) 14. LETTER FROM A FILMMAKER. SEVEN PIECES ON BLACK AND WHITE CINEMA, Οtar Iosseliani,
(1982) 15. FAREWELL, HOME SWEET HOME!, Οtar Iosseliani,
(1999) 16. FAVORITES OF THE MOON,
Οtar Iosseliani, (1982)
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