ALL LIGHT, EVERYWHERE

A kaleidoscopic portrait of our shared histories of cameras, weapons, policing, and justice. As surveillance technologies become a fixture in everyday life, the film interrogates the complexity of an objective point of view, probing the biases inherent in both human perception and the lens. A self-reflexive exploration that makes room for both ambiguity and the sublime, employing verité, performance, and archival research to frame and reframe, underline and undermine.