Freaks
Freaks
Screening Schedule
No physical screenings scheduled. |
- Direction: Tod Browning
- Script: Willis Goldbeck, Leon Gordon
- Cinematography: Merritt B. Gerstad
- Editing: Basil Wrangell
- Actors: Wallace Ford, Leila Hyams, Olga Baclanova, Roscoe Ates, Henry Victor, Harry Earles, Daisy Earles, Rose Dione, Daisy Hilton, Violet Hilton, Schlitze Surtees, Josephine Joseph, Prince Randian,Olga Roderick, Frances O’Connor, Martha Morris, Elvira Snow, Jenny Lee Snow, Angelo Rossitto, Edward Brophy, Matt McHugh, Johnny Eck, Peter Robinson, Elizabeth Green, Minnie Woolsey, Albert Conti, Michael Visaroff, Murray Kinnell, Hooper Atchley, Jerry Austin, Mathilde Comont, Ernie S. Adams, Edith, Delmo Fri
- Production: Metro-Goldwyn-Mayer
- Producers: Irving Thalberg
- Format: DCP
- Color: B/W
- Production Country: USA
- Production Year: 1932
- Duration: 62'
- Contact: Park Circus
- Awards/Distinctions: National Film Registry – National Film Preservation Board 1994, Motion Picture – OFTA 2020
Tod Browning
Tod Browning (1880 - 1962) ranks among the most original and enigmatic filmmakers of his time. Born Charles Albert Browning, Jr. into a middle-class family, he ran away from his Kentucky home at age 16 to join the circus, where he took on roles as a barker, a contortionist, a clown, and a somnambulist buried alive in a box with its own ventilation system. Following a stint in vaudeville and adopting the moniker Tod (German for "death"), Browning eventually found a home in cinema as an actor until a life-altering car accident placed him behind the camera. He went on to direct a series of underworld melodramas, including nine films starring Priscilla Dean (Outside the Law and Drifting), before creating some of the most bizarre and eerily atmospheric films of the silent era with Lon Chaney, in a 10-film collaboration that includes The Unknown, widely considered Browning's masterpiece. Chaney's death in 1930 coincided with the director's transition to sound, notably with his genre-defining version of Dracula starring Bela Lugosi and his transgressive, career-tarnishing Freaks, later reappraised by Andrew Sarris as "one of the most compassionate films ever made". Browning has been described as one of cinema's thorniest humanists as well as "the first diabolist of the cinema", whose influence can be seen in the work of David Lynch, John Waters, Guillermo del Toro, and David Cronenberg. Though his films retain complex moral ambiguities, a glance at this transgressive body of work reveals a visionary with an eye for stylization and memorable performances from both Hollywood stars and non-professional actors. His groundbreaking achievements in horror and underworld melodramas were typified by incisive manifestations of beauty, alongside lifelong personal obsessions with the sideshow milieu, criminality and retribution, and psychosexual innuendo.
Filmography
1915 The Lucky Transfer (short)
1917 The Jury of Fate
1918 The Legion of Death
1920 Outside the Law
1925 The Unholy Three
1926 The Blackbird
1927 The Show
1929 Where East Is East
1931 Dracula
1932 Freaks
1935 Mark of the Vampire
1939 Miracles for Sale
1917 The Jury of Fate
1918 The Legion of Death
1920 Outside the Law
1925 The Unholy Three
1926 The Blackbird
1927 The Show
1929 Where East Is East
1931 Dracula
1932 Freaks
1935 Mark of the Vampire
1939 Miracles for Sale