The film follows different stages in the life of Nana, a gentle and beautiful woman who finds herself entangled in the political turmoil of 1960s Indonesia. Several years later, she escapes poverty through a second marriage to a wealthy Sundanese man. While past memories and the trauma of war continue to haunt her, she begins to question the patriarchal social dictates of her time alongside Ino, her new husband's mistress. In this subtle and emotionally nuanced film, female solidarity and friendship take center stage as Kamila Andini delivers a fascinating portrait of Indonesia’s political past, domestic life and gender dynamics.
Before, Now & Then
Nana
No physical screenings scheduled. |
- Direction: Kamila Andini
- Script: Kamila Andini, Ahda Imran
- Cinematography: Batara Goempar
- Editing: Akhmad Fesdi Anggoro
- Sound: Trisno, Nakorn Kositpaisal, Suchada Supromin
- Music: Ricky Lionnardi
- Actors: Happy Salma, Laura Basuki, Arswendy Bening Swara, Ibnu Jamil, Rieke Diah Pitaloka, Chempa Puteri, Arawinda Kirana
- Production: Fourcolours Films
- Producers: Ifa Isfansyah, Gita Fara
- Co-production: Titimangsa Foundation
- Co-producers: Happy Salma
- Costumes: Retno Ratih Damayanti
- Production Design: Vida Sylvia
- Executive producer: Jais Darga
- Make Up: Eba Sheba
- Format: DCP
- Color: Color
- Production Country: Indonesia
- Production Year: 2022
- Duration: 103΄
- Distribution in Greece: Cinobo
- Contact: WIld Bunch International
- Awards/Distinctions: Silver Berlin Bear for Best Supporting Performance (Laura Basuki) – Berlin IFF 2022, Jury Award – Brussels IFF 2022
Kamila Andini
Kamila Andini is a mother and filmmaker based in Jakarta, Indonesia. Concerns with social culture, gender equality, and environmental issues led to her passion to make films with a distinctive narrative perspective. Her debut feature film The Mirror Never Lies (2011) recounts the life of a sea nomad on the Pacific Ocean off Indonesia. Her second, The Seen and Unseen (2017), portrays a dualistic cinematic universe based on the Balinese philosophical concept of Sekala/Niskala. Both films have screened in over 50 film festivals around the world and received some 30 national and international awards, including the Grand Prix for Best Feature Film, and Berlinale Generation Kplus in 2018. She has also directed a number of short films. After Following Diana (2015), Memoria (2016), and Sekar (2019), her short Back Home (2019) formed part of the omnibus production Angel Sign (2019). Recently, she has expanded her directing work for the theater; her debut, based on her second feature The Seen and Unseen, was staged at the Esplanade Singapore 2018 and Asia Topa Melbourne in 2019. Her most recent theatrical production is the stage and virtual performance monologue Nusa Yang Hilang (2021). Her third feature, Yuni, (2021) won the Platform Prize at the Toronto International Film Festival.
Filmography
2012 The Mirror Never Lies
2017 The Seen and Unseen
2021 Yuni
2022 Before, Now & Then