“In his films, images are an antiestablishment weapon, ready for the arousal and the awakening of the complacent world” as Dimitris Eipides mentions on his introductory statement. With ten of the best films of his filmography, the publication draws the portrait of the feisty Swedish documentarist, for whom Ingmar Bergman stated: “Jarl is an extremely talented mad man, one of the last samurais left, who is still fighting, persistently for ideals and perceptions". Insightful general texts,\ statements on each one of the tribute films, an interesting discussion with the editor Dimitris Kerkinos, and the famous manifesto by Stefan Jarl on the documentary, conclude this publication.
