It may only be a tower block on the edge of a forest, but you can tell by the look on the faces of the people hoping to join the building’s community that this must be one of the last bastions of civilisation in a world that has fallen apart. To live here, shielded from a dangerous environment, is the goal. But when the caretaker’s dog disappears, an irrational fear spreads among the residents. Security officer Anna makes an appeal for reason and begins to search for the animal. Meanwhile, her daughter Iris locks herself in the bathroom. She is convinced that, with her “evil eye,” she herself is responsible for the dog’s disappearance. When a newly formed vigilante group demands stricter security measures and a renewed suitability test for the entire community, Anna begins to fear for her right to stay.
We Might As Well Be Dead
Wir könnten genauso gut tot sein
No physical screenings scheduled. |
- Direction: Natalia Sinelnikova
- Script: Natalia Sinelnikova, Viktor Gallandi
- Cinematography: Jan Mayntz
- Editing: Evelyn Rack
- Sound: Michael Kondaurow
- Music: Maxi Menot, Michael Kondaurow
- Actors: Ioana Iacob, Pola Geiger, Jörg Schüttauf, Şiir Eloğlu, Moritz Jahn, Susanne Wuest, Knut Berger, Mina Özlem Sagdic
- Production: Heartwake Films
- Producers: Julia Wagner, Magdalena Wolff
- Co-production: RBB Rundfunk Berlin Brandenburg, Filmuniversität Babelsberg Konrad Wolf
- Co-producers: Magdalena Wolff, Lina Mareike Zopfs, Charlene Gürntke, Ioana Iacob, Verena Veihl, Cooky Ziesche
- Costumes: Marilyn Rammert
- Production Design: Elisabeth Kozerski
- Executive producer: Julia Wagner
- Make Up: Franziska Mayntz
- Format: DCP
- Color: Color
- Production Country: Germany
- Production Year: 2022
- Duration: 94΄
- Contact: Fortissimo Films
- Awards/Distinctions: Best Cinematography Award – Tribeca Film Festival 2022
Natalia Sinelnikova
Natalia Sinelnikova was born in St. Petersburg in 1989 and emigrated to Germany at the age of seven. In 2013, she graduated from Hildesheim University, with a Bachelor's degree in Cultural Studies, the major field of her studies being photography and theater. Since October 2013 she has been studying film directing at Film University Babelsberg Konrad Wolf in Potsdam. Her graduation film Weeping Willows premiered at the Moscow Jewish Film Festival and was screened at various international festivals. In 2016 she was a member of the Debut Film Jury of the Festival of East European Cinema Cottbus and in 2021 was part of the ZFF Academy at Zurich Film Festival. Natalia is a member of the Jewish artists’ network Dagesh. We Might As Well Be Dead is her feature debut.
Filmography
2014 Black Cats (short doc)
2015 Flow (short)
2016 Bayushki (short doc)
2018 A Woman Wants the Bill (short)
2022 We Might As Well Be Dead