ALPHA

Athens. Amsterdam. Alphaville. Three cities. Three cars. Three stories of people who lose their way.The fact that two of the cities are real while the third is cinematic is neither a random choice nor a tribute to Godards Alphaville (1965). It rather goes to show that in a the image defies the limits between fictional space and geographical reality; abolishes the difference between here and elsewhere; indifferently mixes the before and after.A strange road movie, a roam movie, a draws a paradoxical map that helps you lose rather than find the way.